As Gabriella Laberge steps onto the America’s Got Talent stage, a quiet tension fills the air. Simon Cowell leans forward, his expression unreadable, his hand hovering ominously over the red buzzer. It’s clear—he isn’t convinced. The audience watches with anticipation, sensing that this audition might be over before it even begins. Gabriella, a French-Canadian singer and violinist, lifts her bow and begins to play. Her delicate violin solo is technically skillful, a graceful, flowing melody. But it’s subtle—perhaps too subtle. Simon’s skepticism deepens, his hand inching ever closer to shutting her down. The room seems to brace for an abrupt…
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